There are many theories about the origin of the clarinet. Some historians have placed in ancient Egypt and others argue that it must be much higher. In any event, the first man ever put a single reed against an echo chamber and produces a sound which is the real beginning of the history of the clarinet. In this article, however, will focus on the origins of the modern clarinet. The best of the instruments appeared in the music scene, near the turn of the 18th century in Nuremberg, Germany, the work of Johann Christian Denner developed most probably the Chalumeau, a simple peasant instrument.
The clarinet in the manner most likely developed Denner had two keys and may even have been labeled as “chalumeau” in the early 18th century work which it requested that this new instrument, which marks so delighted music lovers. Telemann and many other composers of this period wrote for chalumeau “quite effectively in an orchestral environment. Its distinctive features are the register (octave change) in a 12 versus eighth, as other wind instruments and tone low compared with other instruments of similar size.
This instrument has limitations that left the record of 12. The two keys Denner clarinet gave his absence and added the Bb, but not allow the B, which were also missing. This lack led naturally to the addition of 3 keys of the clarinet, giving the entire range of notes, and the early development of complicated key system we see today in the instrument.
Besides Telemann, Handel, Bach, Stamitz (Stamitz and his son) and several other composers wrote works increasingly complex for the clarinet. He grew up around her a group of talented and dedicated artists who promoted among the composers of the time to write for this brand new instrument. When Mozart arrived at the scene and wrote most probably the most famous of works for the clarinet, the instrument had grown into the musical consciousness of days until it was a standard part of orchestral composition. The instrument has also grown in complexity as key added several artists to improve in several ways.
In 1812, a clarinet player named Ivan Muller presented his clarinet recently improved. This instrument has 13 keys and leather pads were used instead of the pills he was standard (and badly leaked) at the time. During this period of development, the key of B flat emerged as the key to the election for the clarinet, due to its pleasant sound and versatility.
At this point in the history of the clarinet, the development is divided into several directions, two systems remain in wide use today. The modern German key system grew directly out of the clarinet Muller, while the French (and most widely used modern system) was developed by Hyacinthe Klose in the 19th century based largely on the work of Karl Boehm, revolutionize the system the key the flute.
The popularity of the clarinet between composers and audiences have waxed and waned in recent years. Very little literature was written for her solo in the first part of the 20th century until it was revived as a solo instrument by the great Benny Goodman. Many works were written by him throughout his career and as a testament to his dedication to the instrument. Since its reactivation of the instrument has once again reached the pinnacle of consciousness and composer of many modern composers have written great works of this most versatile solo instrument.

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